Instrumentalni dinamički mikrofon, idealan za ozvučavanje timpana, doboša i gitarskih pojačala. Plastična zakačka napravljena je kačenje za obruč od bubnja
150.00€
▪ Excellent acoustic control with aggressive and punctuated sound
▪ Large diaphragm dynamic capsule creates a rich and detailed frequency response
▪ Easy mic placement with low-profile pivoting head
▪ Humbucking coil guards against line hum
▪ Memraflex grille resists denting
The Electro-Voice ND44 is a robust, high-performance dynamic instrument microphone with a tight cardioid polar pattern.
Designed for excellent performance on drums and other rhythm section instruments, the ND44 capsule is precisely tuned to deliver the aggressive and punctuated sound these instruments produce, as well as excellent isolation from the sound of other nearby instruments.
The ND44 dynamic capsule contains a large Mylar diaphragm which delivers a rich and detailed frequency response by combining its large surface area for tonal balance with its low-mass high-velocity material for exceptionally fast transient response.
The ND44 low profile pivoting head makes mic placement around a drum set easy. The included DRC-2 drum rim clamp is simple to use and eliminates the need for an additional mic stand.
The ND44 capsule uses a humbucking coil that attenuates AC hum and electromagnetic interference.
ND dynamic mics can be used with confidence near speaker cabinets and EMF generating equipment racks.
The ND44 Memraflex grille is made of a durable tightmesh grille wire that withstands extraordinarily-rough treatment. Your microphone remains protected and looking good gig-after-gig, year-after-year.
For additional protection, the ND44 capsule contains a hydrophobic cloth membrane which prevents moisture and debris from reaching the diaphragm.
ND44 is also designed to function very well as a guitar cabinet mic. It can be stand-mounted using the optional SAND-1 stand adapter on a mic stand, or merely hung over the speaker cabinet with the grille facing the speaker cone using its mic cable to suspend it.
Microphone Use and Placement:
-Tom-Toms:
On double headed Toms, place mic over the top of drum 1-3″ and at a 45° angle to the drumhead surface and 1-2″ in from the drum edge. On single headed Toms, use above method or place mic inside Tom from underneath at a 90° angle from the center of head, 3-5″ away.
-Snare Drum:
Place mic 1-3″ above the heads, 1-2″ in from the rim. Aim each mic at the top heads angled down about 45°. If the drum rings, tape deadening material to the head or use damping rings. For more “snare” sound place a 2nd mic underneath aimed up at the bottom of head.
-Electric Guitar and Bass Guitar Amplifier:
Place microphone approximately 1-2″ from and at a 90°degree angle to the speaker cone. To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move mic from center of cone to either edge.
-Cymbals:
Place microphone one to two feet above the cymbals.
-High-Hat:
Place 4-5” above outside edge at a 45° down angle.
-Brass:
6-24″ away, and on axis with the bell of the instrument.
-Acoustic Guitar:
Place mic 6-12″ from where neck joins the body.
Engineering Data Sheets:
en |
▪ Excellent acoustic control with aggressive and punctuated sound
▪ Large diaphragm dynamic capsule creates a rich and detailed frequency response
▪ Easy mic placement with low-profile pivoting head
▪ Humbucking coil guards against line hum
▪ Memraflex grille resists denting
The Electro-Voice ND44 is a robust, high-performance dynamic instrument microphone with a tight cardioid polar pattern.
Designed for excellent performance on drums and other rhythm section instruments, the ND44 capsule is precisely tuned to deliver the aggressive and punctuated sound these instruments produce, as well as excellent isolation from the sound of other nearby instruments.
The ND44 dynamic capsule contains a large Mylar diaphragm which delivers a rich and detailed frequency response by combining its large surface area for tonal balance with its low-mass high-velocity material for exceptionally fast transient response.
The ND44 low profile pivoting head makes mic placement around a drum set easy. The included DRC-2 drum rim clamp is simple to use and eliminates the need for an additional mic stand.
The ND44 capsule uses a humbucking coil that attenuates AC hum and electromagnetic interference.
ND dynamic mics can be used with confidence near speaker cabinets and EMF generating equipment racks.
The ND44 Memraflex grille is made of a durable tightmesh grille wire that withstands extraordinarily-rough treatment. Your microphone remains protected and looking good gig-after-gig, year-after-year.
For additional protection, the ND44 capsule contains a hydrophobic cloth membrane which prevents moisture and debris from reaching the diaphragm.
ND44 is also designed to function very well as a guitar cabinet mic. It can be stand-mounted using the optional SAND-1 stand adapter on a mic stand, or merely hung over the speaker cabinet with the grille facing the speaker cone using its mic cable to suspend it.
Microphone Use and Placement:
-Tom-Toms:
On double headed Toms, place mic over the top of drum 1-3″ and at a 45° angle to the drumhead surface and 1-2″ in from the drum edge. On single headed Toms, use above method or place mic inside Tom from underneath at a 90° angle from the center of head, 3-5″ away.
-Snare Drum:
Place mic 1-3″ above the heads, 1-2″ in from the rim. Aim each mic at the top heads angled down about 45°. If the drum rings, tape deadening material to the head or use damping rings. For more “snare” sound place a 2nd mic underneath aimed up at the bottom of head.
-Electric Guitar and Bass Guitar Amplifier:
Place microphone approximately 1-2″ from and at a 90°degree angle to the speaker cone. To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move mic from center of cone to either edge.
-Cymbals:
Place microphone one to two feet above the cymbals.
-High-Hat:
Place 4-5” above outside edge at a 45° down angle.
-Brass:
6-24″ away, and on axis with the bell of the instrument.
-Acoustic Guitar:
Place mic 6-12″ from where neck joins the body.
Engineering Data Sheets:
en |